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Privacy Policy for http://guitareffek.blogspot.com/

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You should consult the respective privacy policies of these third-party ad servers for more detailed information on their practices as well as for instructions about how to opt-out of certain practices. http://guitareffek.blogspot.com/'s privacy policy does not apply to, and we cannot control the activities of, such other advertisers or web sites.

If you wish to disable cookies, you may do so through your individual browser options. More detailed information about cookie management with specific web browsers can be found at the browsers' respective websites. Read Full...

Guitar Efffect

Not Just Another Pedal! The Chopper will challenge your imagination and creativity! Unlike the myriad of "me too" effects out there, the Chopper will produce TOTALLY ORIGINAL sounds never heard before from a foot pedal! The Chopper will inspire you to create music as well providing you with a powerful tool to enhance favorite tunes. The output signal from the Chopper may be mono or stereo, but is infinitely more interesting in stereo. In stereo, the effect can be panned or "chopped" from one channel to another and combined in phase or out of phase in various ways to produce an infinite number of captivating sounds. Merely describing it will not do it justice. You have to hear it to believe it!

In addition to astoundingly new effects, the Chopper will produce stellar versions of traditional effects such as tremolo, auto pan and Leslie (rotating cabinet) effects, but all with a key difference- the frequency of the effects can be varied with the on-board pedal unit. No additional expression pedal is needed. No other pedal can do it all. Worldwide patents pending on our proprietary engineering.

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Guitar Efffect

The Carl Martin Crunch Drive is a 9V-battery-powered pedal designed to emulate that "hard to get" crunchy blues tone from a good tube amp.

The Attack (mid) and Edge (treble) controls give access to a variety of flavours within this type of distortion style without compromising sonic quality.

If subtle crunch is your thing, you'll find plenty of cool chord and light solo options here which - regardless of EQ - always sound crisp and lively perfect for jangly chords and light blues soloing.

The Carl Martin Crunch Drive is true baypass and features an AC adapter jack.

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Guitar Efffect

Carl Martin 3 Band Parametric Pre-Amp has been specially developed for musicians who play ACOUSTIC GUITAR, VIOLIN, ACCORDIAN, DOUBLE BASS, etc.

These musicians often use combo amps and do not find the use of 19" rack equipment very practical. Experience has shown us that these instruments often require a high quality EQ and balanced line driver. We have integrated those features into a handy stomp box format.

For maximum flexibility, we found it necessary to create a high quality 3 band semi-parametric EQ.

Carl Martin 3 Band Parametric Pre-Amp works equally well for tweaking the sound of electric guitars, basses and other electronic instruments as well as for direct studio recordings.

The 3 Band Parametric Pre-Amp has a built in regulated (+-12V) power supply which enables us to design circuitry of the highest quality with maximum headroom.

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Guitar Efffect

Carl Martin Chorus xII is a dual stereo chorus foot pedal. Designed by Canadian electronics wizard Daniel Van Kranendonk, the unit is the result of five years of careful research and development. It has two identical but independent sets of speed and depth controls. Each "chorus" has an LED indicator that lights up when in use and also flashes an indication of the speed setting.

The Chorus xII has a stereo output via two quarter inch jacks. The "on" switch allows you to engage or bypass the chorus. The "select" switch allows you to switch between the two chorus settings mid song or mid set without having to get down on your knees alter the controls.

The Carl Martin Chorus xII is the perfect choice for guitar, bass or keyboards. It is unbelievably rich in sound, totally quiet, and most important of all, does not change the basic sound. The Carl Martin Chorus xII has a built in, regulated (+-12V) power supply which enables us to design circuitry of the highest quality with maximum headroom.

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Guitar Efffect

Carl Martin Hot Drive'n Boost has been carefully designed to imitate the sound of a good old-fashioned distording Tube-Amp. The Hot Drive'n Boost is the perfect choice for that crunchy blues tone, with plenty left over for a great hard rock tone as well. With the BOOST feature the Hot Drive'n Boost is a "TWO IN ONE" pedal. That allows you to get that extra "kick" (up to 20db) for solos to really stand out. The Hot Drive'n Boost has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom. The low output impedance insures a lo noise connection, and gives improved working conditions for the guitar amp. Read Full...

Guitar Efffect

The Carl Martin PlexiTone, is as the name might indicate an unusual high gain three step rocket of an overdrive. The PlexiTone offers two step overdrive, the crunch channel and the high gain channel, on top of that it gives you an up to 20dB clean boost channel. The crunch channel goes from subtle overdrive to hard rock gain stage, the high gain channel goes from rock gain stages to absolutely meltdown, with loads of gain and low end, and all in a tone that brings the memory back to the early 80's high gain guitar hero's. The PlexiTone has as most Carl Martin pedals a built in regulated (+-12V) power supply, to secure the necessary headroom that gives you the great tone. Read Full...

Guitar Efffect

Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.

Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.

Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.

Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.

Gain: Working clockwise, sets the overall gain.

Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.

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Guitar Efffect

The anniversary Hot Drive’n Boost MK3, featuring a complete new overdrive design that gives a even more authentic “tube” simulating overdrive than the original HDB, which is know to be one of the best. The new HDB MK3 sound like a tweaked up quality tube amp, and on contrary nearly every other overdrive pedal does it not change the original tone, has no midrange pronouncement, no low end cut of, no high end cut of, all that gives a tone of a clear brilliant tube drive of it’s own. FEATURING: Built in mains power supply, Two in on functions (overdrive & boost), and Blue high bright LED. With the BOOST feature the Hot Drive'n Boost MK3 is a "TWO IN ONE" pedal. That allows you to get that extra "kick" (up to 20db) for solos to really stand out. The Hot Drive'n Boost MK3 has a built in regulated (+-12V) power supply. This enables us to design circuitry of the highest quality with maximum headroom. The low output impedance insures a lo noise connection, and gives improved working conditions for the guitar amp. Read Full...

Guitar Efffect

The Carl Martin Combinator 2 was designed and developed in response to many requests from guitar players who use lots of effects pedals, but are frustrated by having to press several footswitches in order to turn multiple pedals on and off.

The Combinator 2 is a non-midi programmable effects switching system that handles up to eight pedals. Each pedal is connected to one of eight individual effects loops (two with stereo returns), and then assigned to one or more of 18 groups. Pushing the program switch for a group simultaneously engages all of the pedals assigned to it. So if, say, you have a fuzz, a wah, and a chorus assigned to program switch 1, pressing that switch will turn them all on or off.

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Guitar Efffect

Have you ever wanted two distinctly different vintage ‘wah’ sounds at your feet? Perhaps you wished for a brighter wah for rhythm work and a deeper, darker wah for leads; and the ability to switch back and forth quickly? Well, Carl Martin has been busy creating your wish; the 2 Wah. This familiar looking, retro-styled pedal, has an all-metal casing with a non-slip foot pad. It can be powered by 9v battery, but we always recommend using a regulated power supply (like the Carl Martin Big John Power Supply) for maximum headroom and effect. Input is on the right and output on the left (remember your Wah should be the first pedal in your chain), and the standard effect on-off by stepping on the front of the rocker to engage the true bypass on-off switch. There are two three-way mode switches on the front of the 2 Wah marked Low (red LED) and High (green LED). These are connected to an on-off switch at the back of the pedal (step on back of rocker to engage this switch). The three low and the three high settings are recreations of six of the most popular vintage wah sounds since the beginning of wah. The Attack knob allows you to fine-tune exactly how you want the rocker to modulate your guitar signal. Six different wah sounds, from Hendrix to Trower to Earth Wind & Fire and beyond, all in one pedal. Read Full...

Guitar Efffect

The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that you are playing through a good tube amp. Just plug your guitar (with or without pedals) into the unbalanced ¼” input, plug your favourite headphones into the unbalanced ¼” output and off you go! Adjust your instruments’ volume with the Guitar knob, select an open cabinet or closed cabinet simulation with the mini-toggle switch, and wail away through the privacy of your headphones. If you like, use the AUX stereo inputs and add an MP3, CD or DAT player to the mix; adjust the Master volume for your music, blend in your guitar sounds with the Guitar volume, and either play along with your favourite cd’s or add a personal touch to your pre-recorded backing tracks. Utilizing the balanced XLR output, you can connect your Rock Bug to a mixing console for recording, solo gigs accompanying the pre-recorded music with your live guitar, or as a DI for live performance when you are packing light, or your amp goes down. You might not think an Amp-Speaker Simulator is new, but with all these features, the Rock Bug is the little Danish-Swiss Army Knife that belongs in the pocket of every guitar-players gig-bag! Read Full...

Guitar Efffect

Divine reverb for mere mortals Down from the heavens comes the Holy Grail, a compact digital reverb guitar pedal. Priced so low thou shalt not covet thy neighbor's reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn't tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, "How did they fit Notre Dame into such a small package?" Finally, reach enlightenment with the haunting Flerb. Read Full...

Guitar Efffect

The NYC-made original! Like the legendary Big Muff Pi of the 70's, the reissue has three controls that let the player dial in the finest harmonic distortion/sustain ever produced. The Volume control adjusts the output level. The Sustain control optimizes the long sustain with just the right amount of harmonic distortion. The Tone control provides a range of sounds, from warm bass to crisp treble. Read Full...

Guitar Efffect

Polyphonic octave generator. You can add one octave up, two octaves up, and one octave down and blend all of them together with straight-through signal. WORKS ON CHORDS. Want your guitar to sound like a 12 string? The POG can do it—or even make it sound like an 18 string. And the POG can do a lot more than that. Destined to be a legendary EH classic. Read Full...

Guitar Efffect

The Electro-Harmonix 2880 offers the familiar control setup of a multitrack digital recorder while adding flexible looping capabilities and track manipulation control. Multiple loops, in stereo and mono, can be pitch shifted, reversed and manipulated on four recording tracks. These four tracks can then be moved to two mixdown tracks, freeing them up to be reused. Flexible punch in/out is available on any recording track, allowing the musician to achieve "Looper Perfection" with the 2880.

The 2880’s non-compressed audio utilizes a 44.1 k 16 bit CD fidelity while providing audio storage of 480 seconds for each of the six available tracks when using a 256 megabyte card (expandable to 2 gigabytes). With external in/out midi clocking, it also provides automatic format conversion to Mac or PC via USB.

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Guitar Efffect

The Electro-Harmonix HOG is a totally polyphonic guitar synthesizer, giving the user complete control of up to 10 interval pitches. Musicians can unveil an entirely new tone potential with anything from extreme sub bass to powerful multi-octave chords, including fifth and third intervals. Dedicated Filtering and envelope control, with numerous setup options, make the HOG a must-have performance instrument. And NO special pickup is required and NO glitches are created. Read Full...

Guitar Efffect

The pure bass synthesizer with a totally analog design. Amazing tone that puts digital wannabees to shame. Warm, sweet and earthy.
TRUE BYPASS SWITCHING! Read Full...

Guitar Efffect

From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. Read Full...

Guitar Efffect

The most in-demand analog delay ever built. Musicians love it and collectors cherish it. Experience the analog edge. Nothing can compare to the organic sound of analog delay, and no one does analog like the Deluxe Memory Man! Up to 550 mS of vibrant echo that rivals tape delay; lush, spatial chorus and haunting vibrato are just a few of the treats in the Memory Man's sonic smorgasbord! Read Full...

Guitar Efffect

It’s an echo, a multi-tap delay, a reverse echo, and a performance looper with up to 30 seconds of loop time, all in true stereo! Featuring tap tempo, vintage tape echo filtering, and eight programmable presets... it’s got all the Hazarai. Designed for the performing musician and destined to be one of the most creative tools on your pedalboard. Read Full...

Guitar Efffect

The ultimate Flanger! The Electric Mistress' array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive "Filter Matrix" mode disengages the automatic sweep, allowing manual positioning of the filter bank to achieve chime-like metallic tones and other unique effects. Read Full...

Guitar Efffect

Generate slithering, panoramic Axis: Bold As Love textures. Manually flange or freeze sound in Filter Matrix mode. Use Chorus and Flanger together for ultra rich modulations. Colorful and seductive in stereo! Read Full...

Guitar Efffect

The Octave Multiplexer is finally back, generating deep, phat bass tones one octave below the notes you play into it. Dividing the Octave Multiplexer from other octave devices are the two separate smoothing filters that enable you to tailor your sub-octave signal to the exact bass sound you desire. Run your vocals through the Octave Multiplexer and sound just like Ike Turner. Read Full...

Guitar Efffect

Make your 6-string ring like a 12. Make your 4-string bass pump like an 8. Convert your guitar into a tight, convincing bass. Generate organ-like harmonic structures. Fast, glitch free polyphonic tracking. Read Full...

Guitar Efffect

The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker. Read Full...

Guitar Efffect

Robotize, Harmonize… Rule the vocoder world! The V 256 welds your voice to your axe inspiring the twist of creativity that can make all of the difference. Bend your gender, drone your tone and invite aliens into your work of art. You want flexibility? The V 256 lets you adjust the vocoder from 8 to 256 bands taking you back to the 80’s and propelling you into the future at the same time. Bring your vocals up to snuff with advanced processing “Reflex Tune”... today’s most popular pitch correction effect. Read Full...

Guitar Efffect

The Voice Box packs a multi-functional vocal synth processor into a tough and compact chassis. Sing, and you'll have a troupe of backup singers following you in perfect harmony. Or use the built-in vocoder to unleash classic synth-robot sounds.

Diana Ross had the Supremes, Brian Wilson had the Beach Boys, Kraftwerk had The Robots. You have the Voice Box.

The harmony processor creates 2- to 4-part harmonies directly from your vocals, in the same key as your accompanying instrument. Studio-quality reverb lets you independently add depth to your dry and harmony vocals.

The focused 256-band articulate vocoder, designed by the same EMS genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shift.

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Guitar Efffect

The Memory Toy presents a pure analog delay for musicians who covet thick sound from a thin wallet. EH melds heritage with select components to present the musician with up to 550ms of delay. Not a toy but a professional tool that bathes your axe with organic depth and dimension. The selectable chorus is a lush bonus. No one does analog like EH! Read Full...

Guitar Efffect

What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

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Guitar Efffect

Back in 2005, Electro-Harmonix unveiled the original POG, a polyphonic octave generator that enabled guitarists to conjure everything from the surreal jangle of an 18-string guitar, to rich, thick walls of symphonic sound.

The POG2 will take you even higher. Use the new attack control to fade in lush, smooth swells. Tune in the new second sub-octave to reach deeper than ever before. The 2-pole resonant low-pass filter now includes two additional Q modes. Slide in the newly enhanced detune to further refine your sound.

The POG2 delivers unrivaled tonal variations -- and now you can save your favorite settings, and recall them with a click. The POG2 just plain sounds better, thanks to an enhanced algorithm that delivers a more focused and in-the-pocket harmonic performance. And all this is now packed into our rugged and pedalboard-friendly diecast chassis.

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Guitar Efffect

Enter the Cathedral and surround your music with the aria of divine presence. True stereo reverbs reveal your inspirations while programmability recalls your spirit of creation. The Cathedral is the performer’s mantra creating the perfect space for your instrument or voice while offering an elegance that takes your music to a higher ground. Read Full...

Guitar Efffect

Pigtronix PolySaturator is a compact, multi-stage distortion featuring an extra-wide gain range coupled with precision tuned low, mid and high band graphic EQs. Many of our customers have requested a stand-alone version of the Overdrive found in the OFO Disnortion pedal. The new PolySaturator takes our original design even further, adding a Class A J-FET booster stage to the front end and re-voicing the gain structure to provide an even wider range of sounds. The PolySaturator produces everything from subtle grit to blue velvet sustain inspired by our favorite tube amp lead channel. Read Full...

Guitar Efffect

The Echolution is a dual delay, with independent Tap Tempo and Modulation delay modes. This arrangement allows the musician to switch between different delay sounds on the fly. When set to Tap Tempo mode, the Echolution has a maximum delay time of 20 seconds and a minimum delay time of 10ms. An on-board momentary switch lets the musician easily set the tempo of the delay. The Modulation Delay mode operates over three distinct time ranges, providing easy access to a huge array of delay based effects. The short setting (10ms-120ms) provides stereo chorus, reverb and slapback sounds. The medium setting (100ms-1.2sec) covers classic BBD and tape echo territory with lush modulation and rich analog sound. The long setting (1sec-12sec) allows for sound on sound, looping and reverse playback as well as rhythmic multi-tap patterns and pitch bending madness. Read Full...

Guitar Efffect

Pigtronix Mothership is an analog synthesizer featuring VCO, Sub-Octave and the world’s first Intelligent Ring Modulator. Incredibly fast note recognition and enormous analog sound make this unique synthesizer ideal for use with guitar, bass, horns, vocals or any other musical instrument. No special pickup or interface is required.

At the heart of the Mothership is a newly designed note detection circuit that achieves high-speed and accurate pitch to voltage translation. The Mothership is a true analog mono-synth with a limitless array of tuning options between its voices. This pedal is capable of otherworldly tones that have never before been available in such a compact and easy to use format as well as some new sounds that reach into bizarre and uncharted musical territory.

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Guitar Efffect

The Pigtronix Philosopher’s Tone is a state-of-the-art analog compressor / sustainer, providing endless clean sustain. With variable Sustain (threshold), Blend (ratio) and Treble controls, the Philosopher’s Tone offers a huge range of compression sounds for the discerning musician. The Philosopher’s Tone also contains a smooth diode clipping distortion with a blend control for clean or dirty compression sounds and any mixture of the two. While the Philosopher’s Tone distortion rocks on its own, it is designed to play well with other dirt pedals in order to create your ultimate distortion tone that sustains forever. Read Full...

Guitar Efffect

The Pigtronix Aria is smooth and musical. With the Aria pedal, Pigtronix takes a unique approach to diode clipping that retains the expressive nature of your music while imparting creamy sustain and enhanced harmonic content. More powerful than a modded Screamer and tastier than an old Muff, Pigtronix Aria delivers the goods, no matter how you turn the knobs.

The Aria’s 3-band active EQ is voiced for maximum versatility and sweetness in all settings. Exceptional as a recording tool and essential in the live rig, the Aria’s 12db / octave EQs boost and cut at carefully selected frequencies, allowing you to adapt to a variety of amps or to craft entirely new, killer tones of your own.

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Guitar Efffect

The Pigtronix Envelope Phaser pours on the special sauce to take your tone into outer space. Accentuating and sweeping through the harmonics of any musical source, the motion of this revolutionary phase shifter can be controlled by Envelope, LFO or a blend of both. The EP2 pedal is a complete re-design of our Envelope Phaser concept, built on 6 years of customer feedback from the original. EP2 sports all new sounds and smart features, in a considerably smaller package.

EP2 makes it easy to dial in monster envelope tones for any instrument or playing style. The envelope in the EP2 kicks it up a notch with a "Staccato" function that is ideal for fast picking, funk bass and tight rhythm guitar. The Stacatto circuit is an "intelligent envelope" that listens to your playing and quickly discharges the envelope between your notes. This crafty circuit enables incredibly responsive envelope performance, even during rapid fire playing.

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Guitar Efffect

These days it seems everybody has a signature pedal, guitar or amp. So many of them are massed produced, often off-shore, with little or no input from the Artist. Such is not the case with our Signature Series Pedals! Each Artist has had input in every aspect of the design of the pedal. They knew exactly how they wanted the pedals to sound and exactly how they wanted them to look. The prototypes were sent back and forth several times until the pedals were right. Gary and Paul took the prototypes on the road with them confirming that the pedals performed and sounded exactly as they expected. Additionally, each pedal comes with a note from the Artist on how they use and set the pedal. So, here they are, the HBE Signature Series! Read Full...

Guitar Efffect

The Voodoo Boost is the latest in the Voodoo Series of analogue guitar effects and differs from all the other Distortion and Fuzz effects we make in almost every key area of operation. It has been designed expressly to compliment the many various designs of amplifiers in use today and should be used last in the effects chain just before the amplifier. It is not only excels in live situations but also is equally versatile in the recording studio. It controls not only volume boost but also has a fatness control and gain/distortion control to give a truly wide range of operational possibilities. The direct dual drive outputs also make parallel or multi path processing easy without having to buy any other splitter device. The following sections will give some idea of the many ways it can be used. Read Full...

Guitar Efffect

The Voodoo-Bass is so named because it adds a gutsier bass equalisation to the Voodoo-1 distortion sound. This enables players who favour single coil pickups to reproduce quite effortlessly the rounded, bluesy sound of classic pickups such as the Gibson P90. The comprehensive Gain and Tone variation provided by the Voodoo-Bass enable a very wide range of distortion sounds to be created from the compressed, just clipped sustain of traditional Chicago Blue to the sweet scream of full tube overload. This guitar effects pedal also works very well with Bass Guitar as an increasing number of bass player are rediscovering the joys of adding both compression and distortion to their sound.
Electronically the Voodoo-Bass and Voodoo-1 each share all the same features but the equalisation sections have been altered to provide a completely different set of optimised tone response . Read Full...

Guitar Efffect

The Voodoo-1 has been designed and optimised to suit a wide range of pickups. It is the best choice for humbucking pickups and produces bright clear tone colours that will make solos stand out without sounding too thin. Using single coil pickups and 4 x 12 cabinets gives the addition body with bite that is necessary to cut through. The Voodoo-1, of course is equally happy with combos at low volume and make these small amps sound like big stacks. The distortion produced feels particularly tube like in operation and the Voodoo-1 slips into distortion with silky smoothness and compression characteristics usually only associated with vintage classic tube amplifiers The volume control of the guitar is very effective in controlling the amount of distortion and the guitar cleans up to it's original tone very easily The Tone control is of advanced design and has been optimised to compliment various pickup types. The Gain control enables the unit to be used as a power booster without distortion up to full maxed out grunge grooviness. The Output control sets the amount of boost required. Read Full...

Guitar Efffect

The Voodoo-Axe is our latest fuzz guitar effect pedal and has many of the qualities the Axis Fuzz which I designed for Jimi in 1968. Jimi used the original Axis on the landmark recording 'Axis Bold as Love' and the Voodoo-Axe is an evolution from my original design. The original Axis Fuzz is still in production today but the Voodoo-Axe offers an alternative and exciting range of new modern tone colours for those who want to experience the same basic sound qualities of the original but extend and modify the tone to suit today's music. Read Full...

Guitar Efffect

A lot of people have requested me to make new unique dual purpose guitar pedal with clean sustain and overdrive that can be used with chords. I am proud to announce the Voodoo-Blues a revolutionary new design which can be set to provide both overdrive and clean boost.

I have over the years repeatedly refused to make an updated copy or clone of the Tube Screamer because I personally was never happy with its nasal tone and lack of detail and dynamics. A new innovative design approach was needed to make a unique product that would be a significant improvement. The Voodoo-Blues is the result. A unique new guitar effects pedal that uses a completely different circuit to produce a set of very musical overtones with feed forward compression as it slips into overdrive. The full dynamics and detail of the guitars tone are faithfully preserved and the unit cleans up perfectly with the guitar Volume control.

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Guitar Efffect

The Dual Band Metalloid brings parallel path processing and recording studio-mixing quality to our range of distortion pedals. It is in fact two separate distortion sections that are driven by internal splitter circuitry and then mixed back together. The Low and High Band distortion circuits have been carefully optimised to now give much improved individual control of the range of notes used. The range of sounds available is truly immense as varying amounts of Distortion and EQ can be applied to each band and then mixed together. This is a technique we used in the studio with Jimi to get the required tone. Using various pedals in series or equalisation will not accomplish this as processing is applied to the whole frequency range. This is a much more sophisticated processing technique that brings welcome control to live performance situations where two guitar sounds are seamlessly required and pedal stomping is not a musical or performance option. The Low Band sound controlling bass string riffs and the High Band sound set for solo work as you progress up the neck. It is has been designed not just for Hard Rock or Heavy Metal but is equally at home for Finger Pickin Slide Blues, Rebel Country Styles and Resonator guitars all which require different tones for the bass strings and solo riffs. Read Full...

Guitar Efffect

The Voodoo-Vibe+ is the latest evolution of the Univibe as used by Jimi Hendrix and Robin Trower. The Voodoo-Vibe+ will faithfully reproduce all the old retro sounds and incorporates the modifications I personally developed for Jimi. The Supervibe was my next evolution of the Univibe and many leading performers including Stevie Ray Vaughan and Robin Trower used this unit. The Voodoo-Vibe followed the Supervibe and is accepted as the industry leader and used by many top performers. The Voodoo-Vibe+ also has a Tremolo circuit plus the usual Chorus and Vibrato functions and the control of the sound parameters has been greatly expanded. The addition of Pulse Square waveforms to the normal Classic waveforms is a valuable and useful addition to the sweep capabilities. The Speed of the sweep generator has also been expanded together with the Symmetry Range and these features greatly increase the options of producing many new and unheard effects and the Voodoo-Vibe+ is a modern and worthy successor to our very successful Voodoo-Vibe. The art of analogue processing has moved forward. Read Full...

Amplifier

The Dolphin 40 is a 40W Class AB (3 x 12AX7 and 2 x 6L6) single channel all tube amplifier, plenty of headroom and hyper tone flexibilty thanks to the Gain, "fat" button to thicker the mids, Treble, Bass, Mids, Volume, Reverb, and Presence controls, all accessible through 6 white chicken-head-knobs on a cool black plexi panel.

But we all know that most of us only use the clean channel and load it up with our stomp pedals to get the distortion tone we need. This is why the Dolphin preamp, input impedance and speaker was especially designed to best complement with your favourite stomp boxes.

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Guitar Amplifier

The Mesa boogie head has four separate channels, each with 3 mode options, and the multi-watt (50/100) power feature that you can assign to each specific channel. You get everything from great cleans, to thick overdrive, to high-gain distortion. This is a very versatile amplifier head and I have too many amplifiers need to thin the heard. Read Full...

Guitar Effek

Zoom G1X Guitar Multi Effects Pedal with Expression Pedal Cheap Price Sale These are great products for home, practice, or even studio use. I bought the older, steeply discounted G1X, I'm sure the newer models (G2,G2X,G2-U,etc.) are just as good, but with a few more features added. It has every effect and amp-model I could ever want and more. Now that I have the Zoom, I practice longer and more often because it sounds great. Read Full...

Pedal audio Volume Controll

A simple and useful hack - Sebastian posted his steps for using an old guitar volume pedal as a general purpose potentiometer/foot control with Arduino. Using a Max/MSP patch, he converted the data to MIDI control channel messages on his computer. More infos over at little-scale. Read Full...